بھوپنں دا کو خراج تحسنہ

Published By : Admin | September 8, 2025 | 08:30 IST

Today, 8th September, is a very special day for all those who are passionate about Indian culture and music. It is particularly more special for my sisters and brothers of Assam. After all, it is the birth anniversary of Dr. Bhupen Hazarika, one of the most extraordinary voices India has ever known. As you are all aware, this year marks the beginning of his birth centenary celebrations. It is an occasion to revisit his monumental contributions to Indian artistic expression and public consciousness.

What Bhupen Da gave us extends far beyond music. His works embodied emotions that transcended melody. More than just a voice, he was the heartbeat of the people. Generations have grown up listening to his songs, each word resonating with themes of kindness, social justice, unity and deep-rooted belonging.

From Assam emerged a voice that flowed like a timeless river, crossing borders and cultures, carrying with it the spirit of humanity. Bhupen Da travelled the globe, rubbed shoulders with the who’s who across all spectrums of society, but he remained deeply connected to his roots in Assam. The rich oral traditions, folk melodies and community storytelling practices of Assam deeply shaped his early childhood. These experiences formed the bedrock of his artistic vocabulary. He always carried the spirit of Assam’s indigenous identity and the ethos of its people.

Brilliance came to Bhupen Da at a very young age. At the age of just five, he sang at a public event and quickly caught the attention of none other than Lakshminath Bezbaruah, the pioneering figure of Assamese literature. By the time he was a teenager, he had recorded his first song. But music was only one part of his personality. Bhupen Da was as much an intellectual at heart...curious, articulate and driven by an insatiable desire to understand the world. Cultural legends like Jyoti Prasad Agarwala and Bishnu Prasad Rabha left a deep impression on his mind and also deepened his spirit of enquiry. It was also this desire to learn that made him excel at Cotton College, Banaras Hindu University and took him to the United States, where he interacted with leading academics, thinkers and musicians of those times. He met Paul Robeson, the legendary artist and civil rights leader. Robeson’s song “Ol’ Man River” became the inspiration for Bhupen Da’s iconic composition ‘Bistirno Parore.’ The much-admired former American First Lady, Eleanor Roosevelt, awarded him a Gold Medal for his performances of Indian folk music.

Bhupen Da had the option of remaining in the US, but he returned to India and immersed himself in music. From radio to theatre, films to educational documentaries, he was well-versed in each of these media. Wherever he went, he emphasised supporting young talent. His works combined lyrical flair and also gave social messages, touching upon justice for the poor, rural development, strength of common citizens, to name a few. Through his music, he gave voice to the aspirations of boatmen, tea garden workers, women, farmers, etc. In addition to being nostalgic, Bhupen Da’s works also became a powerful lens to view modernity. A lot of people, especially from the socially backward classes like him, derived strength and hope from his music.

The spirit of ‘Ek Bharat, Shreshtha Bharat’ found powerful expression in Bhupen Hazarika’s life journey. His works transcended linguistic and regional boundaries to unite people across the country. He composed for films in Assamese, Bengali and Hindi. He made Assam visible and audible to the rest of India. It is no exaggeration to say that he helped shape the cultural identity of modern Assam, both for those within the state and for the Assamese diaspora across the globe.

Bhupen Da, although not really a political person, did remain connected to the world of public service as well. In 1967, he was elected as an independent MLA from Nauboicha constituency in Assam, demonstrating how deeply his public persona was rooted in the people’s trust. Though he never became a career politician, his passion for serving others was highly impactful.

The people and Government of India have recognised his enormous contributions over the years. He was conferred with several awards, including the Padma Shri, Padma Bhushan, Padma Vibhushan, Dadasaheb Phalke Award and more. In 2019, it was an honour for me personally and for the NDA government that the Bharat Ratna was conferred upon him during our tenure. People from across the world, especially those from Assam and the Northeast, expressed joy that this honour was conferred upon him. This honour celebrated the principles that Bhupen Da held dear to his heart- that music, when grounded in truth, can transcend all barriers. That a song can carry the weight of a people’s dreams and move hearts across the world.

I remember the time Bhupen Da passed away in 2011. I had seen on television how lakhs of people attended his funeral. Every eye was moist that time. Even in death, like in his illustrious life, he brought people together. It was thus fitting that he was cremated at the Jalukbari hillock overlooking the Brahmaputra, the very river that had been the lifeline of his music, metaphors and memories. It is gladdening that the Assam Government has supported the work of the Bhupen Hazarika Cultural Trust, which is working to popularise his life journey among youngsters.

Bhupen Hazarika’s life teaches us the power of empathy, of listening to people and of staying rooted. His songs continue to be sung by young and old alike. His music teaches us to be compassionate and courageous. It asks us to remember our rivers, our labourers, our tea workers, our Nari Shakti and our Yuva Shakti. It encourages us to believe in unity in diversity.

Bharat is blessed to have Bhupen Hazarika. As we celebrate the beginning of his centenary year, let us reiterate our commitment to spreading his message far and wide. May it also inspire us to keep working to support music, art and culture, to encourage young talent and make India a nurturing ground for creativity and artistic excellence.

It is only fitting that one of India’s most significant infrastructure projects, the bridge connecting Dhola and Sadiya, bears the name of Bhupen Hazarika. Just as his songs connected hearts across regions, this bridge connects lands and people.

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کاشی تمل سنگم اور ایک بھارت، شریشٹھ بھارت کو خراج تحسین
January 15, 2026

A few days ago, I was in the sacred land of Somnath to be part of the Somnath Swabhiman Parv, marking a thousand years since the first attack on Somnath, which took place in 1026. People from all across India had come to be part of this moment of remembrance, united by a shared reverence for history, culture and the enduring spirit of the people of India. During the programme, I met a few people who had previously come to Somnath during the Saurashtra-Tamil Sangamam and had been to Kashi during the Kashi-Tamil Sangamam. Their words of appreciation for such platforms touched me and so, I thought of sharing a few thoughts on this subject.

During one of the Mann Ki Baat programmes, I had said that not learning Tamil is a major regret of my life. Fortunately, over the last few years, our Government has had several opportunities to further popularise Tamil culture across India and to deepen the spirit of ‘Ek Bharat, Shreshtha Bharat.’ A prime example of such an effort is the Kashi-Tamil Sangamam. In our ethos, Sangam or confluence has a special place. Seen in this light, the Kashi-Tamil Sangamam stands out as a truly distinctive initiative, one that celebrates the living unity of India’s many traditions while honouring their unique identities.

And what can be a better place than Kashi to host such a Sangamam. The same Kashi, which has remained a civilisational anchor from time immemorial… where, for thousands of years, people from all over have come in search of knowledge, meaning and Moksha.

Kashi’s connection with Tamil people and culture is very deep. It is in Kashi that Baba Vishwanath resides, while Tamil Nadu has Rameswaram. Tenkasi in Tamil Nadu is known as Kashi of the south or Dakshin Kashi. Saint Kumaraguruparar Swamigal forged a lasting link between Kashi and Tamil Nadu through his spirituality, scholarship and institution-building. Mahakavi Subramania Bharati, one of Tamil Nadu’s greatest sons, found in Kashi a space of intellectual growth and spiritual awakening. It was here that his nationalism deepened, his poetry sharpened and his vision of a free, united India took clearer shape. There are several such instances that highlight this close bond.

The first edition of Kashi-Tamil Sangamam took place in 2022. I recall attending the inauguration programme. Scholars, artisans, students, farmers, writers, professionals and many others from Tamil Nadu travelled to Kashi, Prayagraj and Ayodhya.

Subsequent editions expanded the scale and depth of this effort. The aim was to keep introducing fresh themes, innovative formats and deeper engagement, thus ensuring that the Sangamam continued to evolve while remaining rooted in its core spirit. In the second edition in 2023, technology was used on a larger scale to ensure that language does not become a barrier for people. In the third edition, the focus was on Indian knowledge systems. At the same time, academic discussions, cultural performances, exhibitions and interactions witnessed greater participation. Thousands of people have taken part in these events.

The fourth edition of the Kashi Tamil Sangamam commenced on 2nd December 2025. The theme picked was very interesting- Tamil Karkalam - Learn Tamil. It presented a unique opportunity for people in Kashi and other parts to learn the beautiful Tamil language. Teachers came from Tamil Nadu and the students of Kashi had a very memorable experience!

There were many other special events this time.

Tholkappiyam, the ancient Tamil literary classic, was translated into 4 Indian languages and 6 foreign languages.

A unique event, Sage Agasthya Vehicle Expedition (SAVE), was undertaken from Tenkasi to Kashi. On the way, various initiatives such as eye camps, health awareness camps, digital literacy camps, among other things, were held. The expedition paid homage to King Adi Veera Parakrama Pandiyan, the great Pandya ruler who spread the message of cultural oneness. There were exhibitions at Namo Ghat, academic sessions at Banaras Hindu University, as well as cultural programmes.

One of the things that makes me most happy about the Kashi-Tamil Sangamam is the participation of thousands of youngsters. It illustrates the passion among our Yuva Shakti to deepen their connect with our roots. It is a brilliant platform for them to showcase their talent and creativity during the various cultural programmes.

In addition to the Sangamam, efforts have been made to make the journey to Kashi memorable for the participants. The Indian Railways operated special trains to take people from Tamil Nadu to Uttar Pradesh. In many railway stations, particularly in Tamil Nadu, they were cheered, and the train journey was marked by melodious songs and conversations.

Here, I would also like to appreciate my sisters and brothers of Kashi and Uttar Pradesh for their warmth and hospitality shown to the delegates of the various Kashi-Tamil Sangamams. Several people opened the doors of their homes for the guests from Tamil Nadu. The local administration worked round the clock to ensure the guests had a seamless experience. As the MP from Varanasi, I could not be prouder!

This time, the valedictory function of the Kashi-Tamil Sangamam was held in Rameswaram and it was graced by the Vice President of India, Thiru CP Radhakrishnan Ji, who is himself a proud son of Tamil Nadu. He delivered a very inspiring address, emphasising India’s spiritual greatness and how such platforms deepen national integration.

The Kashi Tamil Sangamam has delivered meaningful outcomes like strengthening cultural understanding, fostering academic and people-to-people exchanges and creating lasting bonds between parts of the country that share a civilisational ethos. In the coming times, we want to make this platform even more vibrant. Most importantly, it has furthered the spirit of ‘Ek Bharat, Shreshtha Bharat.’ This spirit has flourished for centuries through our festivals, literature, music, art, cuisine, architecture, systems of knowledge and more.

This time of the year is very auspicious for people across the length and breadth of India. People are enthusiastically marking various festivals like Sankranti, Uttarayan, Pongal, Magh Bihu, which are, among other things, associated with the Sun, nature and farming. These festivals bring people together and deepen the spirit of harmony in our society. I convey my best wishes for these festivals and hope they continue to inspire us to deepen national unity through our shared heritage and collective participation.